2024

2023
A Modernist Regime: Cuban Mid-Century Design
A Modernist Regime: Cuban Mid-Century Design
A Modernist Regime: Cuban Mid-Century Design
A Modernist Regime: Cuban Mid-Century Design
A Modernist Regime: Cuban Mid-Century Design
A Modernist Regime: Cuban Mid-Century Design

A Modernist Regime: Cuban Mid-Century Design

Abel González Fernández and Laura J. Mott with Andrew Satake Blauvelt and Andrew Ruys de Perez. A Modernist Regime: Cuban Mid-Century Design. Cranbrook Art Museum / Rizzoli Electa, 2024.

Designed by Lorraine Wild and Xiaoqing Wang with Naveen Hattis and Tommy Huang, Green Dragon Office.

Edited by Andrew Satake Blauvelt.

 

 

Building in Place: Architecture Rooted in Context and Social Equity
Building in Place: Architecture Rooted in Context and Social Equity
Building in Place: Architecture Rooted in Context and Social Equity
Building in Place: Architecture Rooted in Context and Social Equity
Building in Place: Architecture Rooted in Context and Social Equity
Building in Place: Architecture Rooted in Context and Social Equity

Building in Place: Architecture Rooted in Context and Social Equity

Lorcan O’Herlihy and Greg Goldin. Building in Place: Architecture Rooted in Context and Social Equity. Rizzoli International Publications, 2024.

Designed by Lorraine Wild and Naveen Hattis.

Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020
Crossing Over: Art and Science at Caltech, 1920–2020

Crossing Over: Art and Science at Caltech, 1920–2020

Peter Sachs Collopy and Claudia Bohn-Spector. Crossing Over: Art and Science at Caltech, 1920–2020. California Institute of Technology, 2024.

Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office.

Edited by Peter Sachs Collopy and Claudia Bohn-Spector.

Design Agendas: Modern Architecture in St. Louis, 1930s–1970s
Design Agendas: Modern Architecture in St. Louis, 1930s–1970s
Design Agendas: Modern Architecture in St. Louis, 1930s–1970s
Design Agendas: Modern Architecture in St. Louis, 1930s–1970s

Design Agendas: Modern Architecture in St. Louis, 1930s–1970s

Eric P. Mumford. Design Agendas: Modern Architecture in St. Louis, 1930s–1970s. Mildred Lane Kemper Art Museum, Washington University in St. Louis, 2024.

Designed by Lorraine Wild and Naveen Hattis, Green Dragon Office.

Edited by Jane Neidhardt and Holly Tasker.

Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990
Particles and Waves: Southern California Abstraction and Science, 1945–1990

Particles and Waves: Southern California Abstraction and Science, 1945–1990

Michael Duncan and Sharrissa Iqbal. Particles and Waves: Southern California Abstraction and Science, 1945–1990. Palm Springs Art Museum and DelMonico Books, 2024.

Designed by Lorraine Wild and Amy Fortunato, Green Dragon Office.

Edited by Lucien L. Agosta, PhD and Jane Hyun.

We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art
We Live in Painting: The Nature of Color in Mesoamerican Art

We Live in Painting: The Nature of Color in Mesoamerican Art

Diana Magaloni, Davide Domenici, Alyce de Carteret. We Live in Painting: The Nature of Color in Mesoamerican Art. Museum Associates/Los Angeles County Museum of Art and DelMonico Books, 2024.

Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office.

Edited by Sara Cody.